Minor spoilers below for One Dark Window by Rachel Gillig

I didn't pick this book up so much as had it breathlessly thrust into my arms (along with the sequel) by a dear friend who I couldn't disappoint by refusing. I swore to give it a real chance, despite the fact that she and I frequently disagree about what is quality writing, and initially I was able to sink into the conceits of the story. I enjoyed the Nightmare and his relationship with Elspeth (although I suspected I would be disappointed that he did not end up being the love interest, and I was right about that), the general mystery of Blunder, and the way even the characters themselves seem to know little about how the magic of their world works.

The initial set-up chapters were the most enjoyable; once the real plot reared its head, the book started falling apart for me.

A significant part of that is the romance, which had me rolling my eyes at various points. You could make a drinking game out of how often Raven--sorry, Ravyn--is referred to as "the captain of the destriers" instead of his name. I don't mind that Elspeth and Ravyn's romance is telegraphed early and clear--sometimes you're into someone from the get-go--but as a love interest, Ravyn is a surly, controlling killjoy who believes he has the right to demand other people behave the way he wants them to. He intentionally keeps information from Elspeth and then gets angry with her for acting without that knowledge. Then again, maybe they fit, since they both seem to immediately dislike most other people around them.

The book wants Ravyn to be sexy with his competency and knowledge, but he often comes off as infuriatingly patronizing and Elspeth embarrassingly infantile. The hissy fit she throws when he doesn't want to pretend to be courting her was cringe-inducing. Girl maybe it's just not about you, a woman this guy has known for less than 48 hours.

The writing itself quickly becomes repetitive, and the author lives in terror we might forget a single character's eye color. The rhymes which begin each chapter get old, as they themselves are internally repetitive, and not very clever.

None of the characters are ever allowed to do anything embarrassing, because that might render them marginally less sexy. Elspeth is, as are so many female main characters in romance novels, a klutz, which gives her plenty of opportunity to be cutely embarrassed over absolutely nothing without doing anything that might actually be embarrassing. 

Blunder is a mishmash of European cultures and time periods without taking clear inspiration from any of them, which I could almost let pass, except that at any of the times which lend inspiration to Blunder, Elspeth would have scandalized by repeatedly and openly spending time alone with single adult men and no chaperone. The book clearly takes vibes inspiration only.

At the halfway mark where I ended my journey through Blunder, our little gaggle of card thieves does not seem particularly competent, and I can't say I have any interest in how their adventures resolve. I'll have to tell my friend they're just not for me.

In case I haven't worn you all out nattering about Earthsea yet, here's some more. On Friday when I finished the Cycle I went online, as one does, and discovered that last year there was published a graphic novel edition of A Wizard of Earthsea, the first book in the series. So naturally this weekend I had to run out and buy it and read it all at once. The art was done by Fred Fordham and the project was overseen by Le Guin's son, Theo (she having passed away in 2018). 

Theo, like Le Guin herself, was trepidatious about any visual representation of Earthsea, after decades of white character designs; white, middle-aged actors; and general tom-fuckery when it comes to representing Le Guin's work. It wasn't until Theo saw Fordham's work in To Kill a Mockingbird that he first considered it might be worthwhile to consider a graphic novel adaptation of his mother's work, and so here we are.

Fordham appears to have been the right man for the job--this graphic novel edition of A Wizard of Earthsea captures the characters as Le Guin may have envisioned them when she wrote. Theo in his forward acknowledges that one of the beautiful things about how the characters are described in Le Guin's work--enough to give an idea of their appearance, but also vague enough that readers can all use their own imaginations to some degree--becomes limited when creating an "official" visual representation of those characters. So he considers Fordham's designs just one of many possible looks for these characters, but one that cleaves to his mother's original descriptions. 

His expressions neatly capture the shift in Ged's attitude over his schooling at Roke, from the proud, angry boy who first arrives to the sobered, haunted young man who departs.

Nearly all of the wording in the book is lifted directly from the original novel, which means Le Guin's original hard-hitting dialogue and beautiful descriptions of Earthsea survive to accompany Fordham's gorgeous scenic illustrations. He really captures the moody atmosphere of some of the book's darker moments, while also creating some truly stunning vistas of the ocean, which of course is a considerable part of the world for the characters of Earthsea (who live in an archipelago). I particularly enjoyed some of the rainy scenes--felt just like home here in the PNW!

He also does a great job making Ged and the Lookfar feel small on some of Ged's journeys. Looking at it some of these full-page spreads, you really feel that Ged is just one young wizard on his own in a vast and unknowable world. 

If I had any issues, it's only that some of the palettes run quite dark, so that a few panels can be almost impossible to distinguish unless you're looking at the book directly under a light source, and that there is some occasional visual awkwardness (not sure how to describe this--maybe Fordham used a 3D rendering tool and it shows?)

Overall, I was delighted with this, and I really hope Fordham and Theo press on to do Tombs of Atuan as well--I would love to see Tenar and Atuan rendered as well!